I think the ticket prices are ridiculous. I probably understand that a lot of artists now rely on touring make to money, but this is just ticket scalping, right? How can an ageing artist command such high prices is beyond me. It's especially worse given that Bruce Springsteen's entire career is about the working class. Your thoughts on this are probably welcomed.
I did ok on tickets for Seattle. I set a budget where I wasn't going to go higher than the second lowest price point. I got 2 ADA tickets 4 rows behind the stage for the money I was willing to pay. Those tickets are actually pretty good because Bruce plays a lot to the people behind the stage. The money wasn't out of line, probably equivalent of the upcoming Cure dates. I agree the price points above what I got were out of line. He's not alone though. Look at what tickets were going for the tour the Stones just did in Europe. To me, it's not even the Stones anymore without Charlie Watts. Keith & Ronnie are both in serious decline in regards to their playing & Mick just shouts rather than sing a lot of the time. I wish they would retire before they really embarrass themselves. I've really taken a stand about nostalgia shows. I'm not going to see anyone anymore if they don't have valid new material. Had enough of bands living on past glories.
Ticket bastard & Live Nation are one & the same & they've started applying the same sort of "surge pricing" that Uber use. This is more than likely because secondary ticket sales outfits are being clamped down on (in some regions at least) and so LN & TB can't offload bus-loads of tickets to these parasites as they did before. You can shout & scream & stamp your foot all you want but they will continue to scalp fans because there are not other options for fans. The only way they'll sit up & take notice is if people just don't buy tickets anymore. It also wouldn't hurt if the artists & their promoters also stuck their respective oars in & made a bit of a noise too.
I honestly can't see how they can get away with this sort of thing. Not one of their arguments makes any sense at all. All they're doing is finding another way to rip people off.
I honestly can't see how they can get away with this sort of thing. Not one of their arguments makes any sense at all. All they're doing is finding another way to rip people off.
Madonna is starting her world tour in Vancouver in July. The second date is in Seattle at our glorious new arena that I haven't been to yet. For giggles I checked to see how much tickets were. For kind of medium seats it was $400-$500 before service charges. Hard pass on that! Sorry Madge.
At the time, I didn't much like the whole queue up for umpteen hours outside a bricks and mortar ticket office, but in hindsight, they were the halcyon/ best days. And when you paid your money, you got an actual ticket there and then
Post by weedyburton79 on Apr 7, 2023 23:27:04 GMT 1
I’m wondering if this experiment by Robert will ultimately be viewed as successful or not. Seems like a lot of fans missed out on tickets. And the secondary market is where they would’ve normally gone to remedy that. I understand that everyone's situation is different, but I wouldn’t be seeing The Cure multiple times this tour if NY didn’t allow resale on the secondary market. And the sale for the newly added shows seems to be causing more frustration for fans.
I don't think these efforts by Robert will fix things, but maybe this plus other artists will move the needle to change the system in some way... but I wonder how it might change exactly. There will always be someone looking for a way to make money off ticket resales. There will always be situations with certain artists where demand outstrips supply. I dunno. Will be interesting to see how these efforts are ultimately viewed from a wider lens.
I’m wondering if this experiment by Robert will ultimately be viewed as successful or not. Seems like a lot of fans missed out on tickets. And the secondary market is where they would’ve normally gone to remedy that. I understand that everyone's situation is different, but I wouldn’t be seeing The Cure multiple times this tour if NY didn’t allow resale on the secondary market. And the sale for the newly added shows seems to be causing more frustration for fans.
I don't think these efforts by Robert will fix things, but maybe this plus other artists will move the needle to change the system in some way... but I wonder how it might change exactly. There will always be someone looking for a way to make money off ticket resales. There will always be situations with certain artists where demand outstrips supply. I dunno. Will be interesting to see how these efforts are ultimately viewed from a wider lens.
It seems like the band is hotter this tour than they were in 2016. They could've easily done more dates in the US as the demand is clearly there. Maybe they'll come back later.