But, what makes you think it's about masturbation?
I don't want to get too graphic about this, but the first clue is the title (do you detect a theme of self-love here?), coupled with lyrics like "I pull my eyes out, hold my breath and wait until I shake," and "But if I had your face, I could make it safe and clean," and all of the breathing sound effects. I definitely think there's something sexual about the song, even if it's not about masturbating per se. And the B-side was "A Man Inside My Mouth" :/
While Close To Me is very clearly about putting stuff off & trying to sleep instead (even the album title, born of a nightmare Smith used to have is taken from the song) A Man Inside My Mouth is (conversely) about waking up. Albeit feeling like cr@p. Prolly a swipe at Lol who was just starting to get really bad around the time they were recording.
But, what makes you think it's about masturbation?
I don't want to get too graphic about this, but the first clue is the title (do you detect a theme of self-love here?), coupled with lyrics like "I pull my eyes out, hold my breath and wait until I shake," and "But if I had your face, I could make it safe and clean," and all of the breathing sound effects. I definitely think there's something sexual about the song, even if it's not about masturbating per se. And the B-side was "A Man Inside My Mouth" :/
I agree. I don't know if it's exactly masturbation too but I always found this song very "subjective". As you say, there's the notion of pleasure in sound backgrounds (sighs, whispers and other disturbing sound effects). I always found that this song to have a lot of sexuality, like you say.
I feel like you can read sexual nature into most songs, in general, if you look at the lyrics. You can make the claim until you're shut down by the artist themselves.
there are other songs with more sexual content than Close To Me methinks (fascination street, watching me fall...). Close To Me is ironical, such sweet poppy music for such oppressive dark lyrics.
Robert Smith has been explaining the rather creepy story behind the classic 1985 single…
The Cure's Close To Me was inspired by Robert Smith's childhood bout of chicken pox.
The 59-year-old singer added the lyrics to the 1985 track at the "last minute" as he wasn't sure the band had produced anything musically that would pair with the words he'd written. “Originally it was a much more upbeat song,” he recalled.
He told Q magazine: “The words were actually about this sense of impending doom that I used to get.
“I had chicken pox when I was really young and it started there.
"I used to get these horrible, nightmarish visions of this head that used to hover in a chink of light that used to come when the bedroom lights were turned off and the door was just ajar."
"The shaft of light that came from the hallway used to illuminate this patch of wallpaper and it would come to life and prophesise doom to me through the night whenever I put my eyes in that general direction.”
This vision gave The Cure’s Head On The Door album its title, which was recorded after a hectic period in which Smith was also the guitarist in Siouxsie And The Banshees… and had recorded an LP with his own side project The Glove.
“It came back to me when I was writing the album. I was running myself into the ground a little bit and I started to suffer. I suddenly also started to get the same hallucinations, which was very odd.”
"The song was essentially about those two things, but at the last minute I tried singing them over this jaunty bassline and drum pattern and it just clicked."
Smith has also claimed that the title Close To Me came from the idea that the song was being sung as the protagonist was getting into bed at the end of a bad day: “I never thought tonight could ever be this close to me.”
Video director Tim Pope famously interpreted this idea by having the five-piece band packed into a tiny wardrbobe… which was perched perilously on the edge of a clifftop. The wardrobe inevitably tips over and falls into the sea below.
The video was followed up with a look at what happens next when the song was remixed in 1990:
Robert Smith has curated this year’s Meltdown festival on London’s South Bank starting 17 June, which includes Nine Inch Nails, Manic Street Preachers, Placebo, Mogwai, The Libertines and many more.
The Cure also headline Barclaycard Presents British Summer Time in Hyde Park on 7 July, alongside Goldfrapp, Editors, Interpol and more.