Speaking of details in the songs, I found this version of Lullaby. This is the first time I hear it, I did not think dubbing was like this. There is also a moment when the voice is a bit "creepy"
The guitar (all parts really, but especially the solo) of If only tonight we could sleep. It´s always sounded to me like a crying of sorts. Each new note like a howl of pain that increases with each new note. A huge pain... an agony inside. I once asked a friend of mine (who´s a guitarist in a local band: 'Have you ever heard a guitar crying? You will now..." And played it for him. Each note feels like a huge pain I can almost feel for real.
And also I love the drums intro of The Walk. It´s got a an upbeat sound that just lifts up my mood and I feel like stopping whatever just to dance to that. Silly, I know LOL
This one isn't so much about little parts of the song... but you know when you are at a live show and The Walk starts playing... The crowd is singing along and dancing and having a great time... When Robert sings, "I saw you look like a Japanese baby"... The entire crowd seems to shout "Japanese baby".... but it sounds like "bay-bay".... I giggle every time. Push does the same thing to me when the crowd sings "strawberries and cream"
Post by justlikeheaven on Feb 23, 2017 20:52:20 GMT 1
I love that guitar part in Closedown that is in Untitled too, and I love the fact that they also play that part in the live version of Lullaby. These little things I enjoy a lot
Ok here are the ones I can think of at the moment and not even remotely an all inclusive list:
1.The emphasis on "pigs" during the line "Sharing the world with slaughtered pigs" from One Hundred Years. 2. The growling guitar at the very beginning of Prayers for Rain. They don't always do it but when they do it's spectacular. 3. The long Raaaaaaiiiinnn same song 4. The echoes on some live versions of The Drowning Man 5. The echoes on A Short Term Effect from Trilogy 6. The keyboard roll from Roger in Push 7. The angry growl he does on the words "give me all this" during Want The best live version example of this is Vienna 2000. 8. When Robert rubs the pick down the neck at the Beginning of If Only Tonight We Could Sleep. Glorious. 9. The descending scale he plays once in a great while at the beginning of Lovesong (Bestival Lovesong is the best example)
Ok here are the ones I can think of at the moment and not even remotely an all inclusive list:
1.The emphasis on "pigs" during the line "Sharing the world with slaughtered pigs" from One Hundred Years. 2. The growling guitar at the very beginning of Prayers for Rain. They don't always do it but when they do it's spectacular. 3. The long Raaaaaaiiiinnn same song 4. The echoes on some live versions of The Drowning Man 5. The echoes on A Short Term Effect from Trilogy 6. The keyboard roll from Roger in Push 7. The angry growl he does on the words "give me all this" during Want The best live version example of this is Vienna 2000. 8. When Robert rubs the pick down the neck at the Beginning of If Only Tonight We Could Sleep. Glorious. 9. The descending scale he plays once in a great while at the beginning of Lovesong (Bestival Lovesong is the best example)
ok that's all I can think of for now.
are you talking about the Live version of Push because I believe it is Lol on the studio version...
and I completely agree about number 1, 3, and 7 - and I hate Want live.
Robert's voice in Lovesong remix towards the end Bass note in Never Enough Big Mix after a pause (around 3'40'') Robert's multiplied voice in THrow Your Foot ha ha... Robert's voice at the end of Happy The Man In Doubt the part "sharp... clear... pure... sharp... clear... puuuuure" The single keyboard notes in Inbetween Days represented as drops in the video clip, very easy for Lol to play back then...
Ok here are the ones I can think of at the moment and not even remotely an all inclusive list:
1.The emphasis on "pigs" during the line "Sharing the world with slaughtered pigs" from One Hundred Years. 2. The growling guitar at the very beginning of Prayers for Rain. They don't always do it but when they do it's spectacular. 3. The long Raaaaaaiiiinnn same song 4. The echoes on some live versions of The Drowning Man 5. The echoes on A Short Term Effect from Trilogy 6. The keyboard roll from Roger in Push 7. The angry growl he does on the words "give me all this" during Want The best live version example of this is Vienna 2000. 8. When Robert rubs the pick down the neck at the Beginning of If Only Tonight We Could Sleep. Glorious. 9. The descending scale he plays once in a great while at the beginning of Lovesong (Bestival Lovesong is the best example)
ok that's all I can think of for now.
Great list, Pipperoo ! I also love most of these, especially for Prayers For Rain, Want and Push.
I'm not really sure of what part you're talking about in If Only Tonight We Could Sleep and Lovesong. I will listen to those closely again as soon as I can.
Ok here are the ones I can think of at the moment and not even remotely an all inclusive list:
1.The emphasis on "pigs" during the line "Sharing the world with slaughtered pigs" from One Hundred Years. 2. The growling guitar at the very beginning of Prayers for Rain. They don't always do it but when they do it's spectacular. 3. The long Raaaaaaiiiinnn same song 4. The echoes on some live versions of The Drowning Man 5. The echoes on A Short Term Effect from Trilogy 6. The keyboard roll from Roger in Push 7. The angry growl he does on the words "give me all this" during Want The best live version example of this is Vienna 2000. 8. When Robert rubs the pick down the neck at the Beginning of If Only Tonight We Could Sleep. Glorious. 9. The descending scale he plays once in a great while at the beginning of Lovesong (Bestival Lovesong is the best example)
ok that's all I can think of for now.
Great list, Pipperoo ! I also love most of these, especially for Prayers For Rain, Want and Push.
I'm not really sure of what part you're talking about in If Only Tonight We Could Sleep and Lovesong. I will listen to those closely again as soon as I can.
on IOTWCS Listen to the guitar from 1:57 to 2:20
On Lovesong Listen to the guitar from 00:20 to 00:24